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  • Moon Viewing Platform is an interdisciplinary public installation that will transform an inhospitable and disused stretch of open-air land into a large-scale performance/gathering space featuring regular acts of caring, a stage, and building-sized nighttime video projections featuring an episodic series of short films. The garden/installation references the karesansui (Japanese dry landscape garden), as it becomes a set for a series of short videos and musical performances, inviting audiences to enter another world through the senses and the imagination and provides the opportunity to engage in intimate commemorative gatherings that celebrate compassion, creativity, and community as essential components of human life.<br />
<br />
Moon Viewing film series, featuring:<br />
New Moon…Harold E. Smith<br />
Waxing Crescent…Sarah McEneaney<br />
First Quarter…Cristina Martinez<br />
Waxing Gibbous…Itzela & Elio Wiley<br />
Full Moon…Anja Suib-Hironaka<br />
Waning Gibbous…Cat & Pigeon<br />
Third Quarter…Thomas Patteson<br />
Waning Crescent…Connie Yu<br />
<br />
Acknowledgements<br />
Aaron Igler / Greenhouse Media; The Academy of Natural Sciences: Michael Kaczmarczik;<br />
All Seasons Landscaping : Ed Kauffeld, Steve Ganz; American Composers Forum: Gene Coleman, Stanford Thompson; Anja Suib-Hironaka; Apiary Studio; Ben Miller; Community College of Philadelphia: Al Tomlin, Derrick Sawyer, Dr. Donald Generals, Ed Orner, Erica Harrison, Jacob Eapen, Jerome Wilkerson, Tyreice DuPass; Connie Yu; Dan Punshon-Smith; DBS Audio System; Friends of the Rail Park: Kevin Dow, Shawn Sheu; Genevieve Delaney; Japan Foundation, New York; Jeff Brown; Jen Brown; Jim Christensen; Maddie Hewitt; Marina McDougall Vella ; Mural Arts: Jane Golden, Judy Hellman, Todd Bressi; Rodin Market Partners; SEPTA; Yoko.<br />
October 12, 2019
    YEE_3303-20191012.jpg
  • Moon Viewing Platform is an interdisciplinary public installation that will transform an inhospitable and disused stretch of open-air land into a large-scale performance/gathering space featuring regular acts of caring, a stage, and building-sized nighttime video projections featuring an episodic series of short films. The garden/installation references the karesansui (Japanese dry landscape garden), as it becomes a set for a series of short videos and musical performances, inviting audiences to enter another world through the senses and the imagination and provides the opportunity to engage in intimate commemorative gatherings that celebrate compassion, creativity, and community as essential components of human life.<br />
<br />
Moon Viewing film series, featuring:<br />
New Moon…Harold E. Smith<br />
Waxing Crescent…Sarah McEneaney<br />
First Quarter…Cristina Martinez<br />
Waxing Gibbous…Itzela & Elio Wiley<br />
Full Moon…Anja Suib-Hironaka<br />
Waning Gibbous…Cat & Pigeon<br />
Third Quarter…Thomas Patteson<br />
Waning Crescent…Connie Yu<br />
<br />
Acknowledgements<br />
Aaron Igler / Greenhouse Media; The Academy of Natural Sciences: Michael Kaczmarczik;<br />
All Seasons Landscaping : Ed Kauffeld, Steve Ganz; American Composers Forum: Gene Coleman, Stanford Thompson; Anja Suib-Hironaka; Apiary Studio; Ben Miller; Community College of Philadelphia: Al Tomlin, Derrick Sawyer, Dr. Donald Generals, Ed Orner, Erica Harrison, Jacob Eapen, Jerome Wilkerson, Tyreice DuPass; Connie Yu; Dan Punshon-Smith; DBS Audio System; Friends of the Rail Park: Kevin Dow, Shawn Sheu; Genevieve Delaney; Japan Foundation, New York; Jeff Brown; Jen Brown; Jim Christensen; Maddie Hewitt; Marina McDougall Vella ; Mural Arts: Jane Golden, Judy Hellman, Todd Bressi; Rodin Market Partners; SEPTA; Yoko.<br />
October 12, 2019
    YEE_3288-20191012.jpg
  • Moon Viewing Platform is an interdisciplinary public installation that will transform an inhospitable and disused stretch of open-air land into a large-scale performance/gathering space featuring regular acts of caring, a stage, and building-sized nighttime video projections featuring an episodic series of short films. The garden/installation references the karesansui (Japanese dry landscape garden), as it becomes a set for a series of short videos and musical performances, inviting audiences to enter another world through the senses and the imagination and provides the opportunity to engage in intimate commemorative gatherings that celebrate compassion, creativity, and community as essential components of human life.<br />
<br />
Moon Viewing film series, featuring:<br />
New Moon…Harold E. Smith<br />
Waxing Crescent…Sarah McEneaney<br />
First Quarter…Cristina Martinez<br />
Waxing Gibbous…Itzela & Elio Wiley<br />
Full Moon…Anja Suib-Hironaka<br />
Waning Gibbous…Cat & Pigeon<br />
Third Quarter…Thomas Patteson<br />
Waning Crescent…Connie Yu<br />
<br />
Acknowledgements<br />
Aaron Igler / Greenhouse Media; The Academy of Natural Sciences: Michael Kaczmarczik;<br />
All Seasons Landscaping : Ed Kauffeld, Steve Ganz; American Composers Forum: Gene Coleman, Stanford Thompson; Anja Suib-Hironaka; Apiary Studio; Ben Miller; Community College of Philadelphia: Al Tomlin, Derrick Sawyer, Dr. Donald Generals, Ed Orner, Erica Harrison, Jacob Eapen, Jerome Wilkerson, Tyreice DuPass; Connie Yu; Dan Punshon-Smith; DBS Audio System; Friends of the Rail Park: Kevin Dow, Shawn Sheu; Genevieve Delaney; Japan Foundation, New York; Jeff Brown; Jen Brown; Jim Christensen; Maddie Hewitt; Marina McDougall Vella ; Mural Arts: Jane Golden, Judy Hellman, Todd Bressi; Rodin Market Partners; SEPTA; Yoko.<br />
October 12, 2019
    YEE_3282-20191012.jpg
  • Moon Viewing Platform is an interdisciplinary public installation that will transform an inhospitable and disused stretch of open-air land into a large-scale performance/gathering space featuring regular acts of caring, a stage, and building-sized nighttime video projections featuring an episodic series of short films. The garden/installation references the karesansui (Japanese dry landscape garden), as it becomes a set for a series of short videos and musical performances, inviting audiences to enter another world through the senses and the imagination and provides the opportunity to engage in intimate commemorative gatherings that celebrate compassion, creativity, and community as essential components of human life.<br />
<br />
Moon Viewing film series, featuring:<br />
New Moon…Harold E. Smith<br />
Waxing Crescent…Sarah McEneaney<br />
First Quarter…Cristina Martinez<br />
Waxing Gibbous…Itzela & Elio Wiley<br />
Full Moon…Anja Suib-Hironaka<br />
Waning Gibbous…Cat & Pigeon<br />
Third Quarter…Thomas Patteson<br />
Waning Crescent…Connie Yu<br />
<br />
Acknowledgements<br />
Aaron Igler / Greenhouse Media; The Academy of Natural Sciences: Michael Kaczmarczik;<br />
All Seasons Landscaping : Ed Kauffeld, Steve Ganz; American Composers Forum: Gene Coleman, Stanford Thompson; Anja Suib-Hironaka; Apiary Studio; Ben Miller; Community College of Philadelphia: Al Tomlin, Derrick Sawyer, Dr. Donald Generals, Ed Orner, Erica Harrison, Jacob Eapen, Jerome Wilkerson, Tyreice DuPass; Connie Yu; Dan Punshon-Smith; DBS Audio System; Friends of the Rail Park: Kevin Dow, Shawn Sheu; Genevieve Delaney; Japan Foundation, New York; Jeff Brown; Jen Brown; Jim Christensen; Maddie Hewitt; Marina McDougall Vella ; Mural Arts: Jane Golden, Judy Hellman, Todd Bressi; Rodin Market Partners; SEPTA; Yoko.<br />
October 12, 2019
    YEE_3276-20191012.jpg
  • Moon Viewing Platform is an interdisciplinary public installation that will transform an inhospitable and disused stretch of open-air land into a large-scale performance/gathering space featuring regular acts of caring, a stage, and building-sized nighttime video projections featuring an episodic series of short films. The garden/installation references the karesansui (Japanese dry landscape garden), as it becomes a set for a series of short videos and musical performances, inviting audiences to enter another world through the senses and the imagination and provides the opportunity to engage in intimate commemorative gatherings that celebrate compassion, creativity, and community as essential components of human life.<br />
<br />
Moon Viewing film series, featuring:<br />
New Moon…Harold E. Smith<br />
Waxing Crescent…Sarah McEneaney<br />
First Quarter…Cristina Martinez<br />
Waxing Gibbous…Itzela & Elio Wiley<br />
Full Moon…Anja Suib-Hironaka<br />
Waning Gibbous…Cat & Pigeon<br />
Third Quarter…Thomas Patteson<br />
Waning Crescent…Connie Yu<br />
<br />
Acknowledgements<br />
Aaron Igler / Greenhouse Media; The Academy of Natural Sciences: Michael Kaczmarczik;<br />
All Seasons Landscaping : Ed Kauffeld, Steve Ganz; American Composers Forum: Gene Coleman, Stanford Thompson; Anja Suib-Hironaka; Apiary Studio; Ben Miller; Community College of Philadelphia: Al Tomlin, Derrick Sawyer, Dr. Donald Generals, Ed Orner, Erica Harrison, Jacob Eapen, Jerome Wilkerson, Tyreice DuPass; Connie Yu; Dan Punshon-Smith; DBS Audio System; Friends of the Rail Park: Kevin Dow, Shawn Sheu; Genevieve Delaney; Japan Foundation, New York; Jeff Brown; Jen Brown; Jim Christensen; Maddie Hewitt; Marina McDougall Vella ; Mural Arts: Jane Golden, Judy Hellman, Todd Bressi; Rodin Market Partners; SEPTA; Yoko.<br />
October 12, 2019
    AY2_1253-20191012.jpg
  • Moon Viewing Platform is an interdisciplinary public installation that will transform an inhospitable and disused stretch of open-air land into a large-scale performance/gathering space featuring regular acts of caring, a stage, and building-sized nighttime video projections featuring an episodic series of short films. The garden/installation references the karesansui (Japanese dry landscape garden), as it becomes a set for a series of short videos and musical performances, inviting audiences to enter another world through the senses and the imagination and provides the opportunity to engage in intimate commemorative gatherings that celebrate compassion, creativity, and community as essential components of human life.<br />
<br />
Moon Viewing film series, featuring:<br />
New Moon…Harold E. Smith<br />
Waxing Crescent…Sarah McEneaney<br />
First Quarter…Cristina Martinez<br />
Waxing Gibbous…Itzela & Elio Wiley<br />
Full Moon…Anja Suib-Hironaka<br />
Waning Gibbous…Cat & Pigeon<br />
Third Quarter…Thomas Patteson<br />
Waning Crescent…Connie Yu<br />
<br />
Acknowledgements<br />
Aaron Igler / Greenhouse Media; The Academy of Natural Sciences: Michael Kaczmarczik;<br />
All Seasons Landscaping : Ed Kauffeld, Steve Ganz; American Composers Forum: Gene Coleman, Stanford Thompson; Anja Suib-Hironaka; Apiary Studio; Ben Miller; Community College of Philadelphia: Al Tomlin, Derrick Sawyer, Dr. Donald Generals, Ed Orner, Erica Harrison, Jacob Eapen, Jerome Wilkerson, Tyreice DuPass; Connie Yu; Dan Punshon-Smith; DBS Audio System; Friends of the Rail Park: Kevin Dow, Shawn Sheu; Genevieve Delaney; Japan Foundation, New York; Jeff Brown; Jen Brown; Jim Christensen; Maddie Hewitt; Marina McDougall Vella ; Mural Arts: Jane Golden, Judy Hellman, Todd Bressi; Rodin Market Partners; SEPTA; Yoko.<br />
October 12, 2019
    AY2_1247-20191012.jpg
  • Moon Viewing Platform is an interdisciplinary public installation that will transform an inhospitable and disused stretch of open-air land into a large-scale performance/gathering space featuring regular acts of caring, a stage, and building-sized nighttime video projections featuring an episodic series of short films. The garden/installation references the karesansui (Japanese dry landscape garden), as it becomes a set for a series of short videos and musical performances, inviting audiences to enter another world through the senses and the imagination and provides the opportunity to engage in intimate commemorative gatherings that celebrate compassion, creativity, and community as essential components of human life.<br />
<br />
Moon Viewing film series, featuring:<br />
New Moon…Harold E. Smith<br />
Waxing Crescent…Sarah McEneaney<br />
First Quarter…Cristina Martinez<br />
Waxing Gibbous…Itzela & Elio Wiley<br />
Full Moon…Anja Suib-Hironaka<br />
Waning Gibbous…Cat & Pigeon<br />
Third Quarter…Thomas Patteson<br />
Waning Crescent…Connie Yu<br />
<br />
Acknowledgements<br />
Aaron Igler / Greenhouse Media; The Academy of Natural Sciences: Michael Kaczmarczik;<br />
All Seasons Landscaping : Ed Kauffeld, Steve Ganz; American Composers Forum: Gene Coleman, Stanford Thompson; Anja Suib-Hironaka; Apiary Studio; Ben Miller; Community College of Philadelphia: Al Tomlin, Derrick Sawyer, Dr. Donald Generals, Ed Orner, Erica Harrison, Jacob Eapen, Jerome Wilkerson, Tyreice DuPass; Connie Yu; Dan Punshon-Smith; DBS Audio System; Friends of the Rail Park: Kevin Dow, Shawn Sheu; Genevieve Delaney; Japan Foundation, New York; Jeff Brown; Jen Brown; Jim Christensen; Maddie Hewitt; Marina McDougall Vella ; Mural Arts: Jane Golden, Judy Hellman, Todd Bressi; Rodin Market Partners; SEPTA; Yoko.<br />
October 12, 2019
    AY2_1240-20191012.jpg
  • Moon Viewing Platform is an interdisciplinary public installation that will transform an inhospitable and disused stretch of open-air land into a large-scale performance/gathering space featuring regular acts of caring, a stage, and building-sized nighttime video projections featuring an episodic series of short films. The garden/installation references the karesansui (Japanese dry landscape garden), as it becomes a set for a series of short videos and musical performances, inviting audiences to enter another world through the senses and the imagination and provides the opportunity to engage in intimate commemorative gatherings that celebrate compassion, creativity, and community as essential components of human life.<br />
<br />
Moon Viewing film series, featuring:<br />
New Moon…Harold E. Smith<br />
Waxing Crescent…Sarah McEneaney<br />
First Quarter…Cristina Martinez<br />
Waxing Gibbous…Itzela & Elio Wiley<br />
Full Moon…Anja Suib-Hironaka<br />
Waning Gibbous…Cat & Pigeon<br />
Third Quarter…Thomas Patteson<br />
Waning Crescent…Connie Yu<br />
<br />
Acknowledgements<br />
Aaron Igler / Greenhouse Media; The Academy of Natural Sciences: Michael Kaczmarczik;<br />
All Seasons Landscaping : Ed Kauffeld, Steve Ganz; American Composers Forum: Gene Coleman, Stanford Thompson; Anja Suib-Hironaka; Apiary Studio; Ben Miller; Community College of Philadelphia: Al Tomlin, Derrick Sawyer, Dr. Donald Generals, Ed Orner, Erica Harrison, Jacob Eapen, Jerome Wilkerson, Tyreice DuPass; Connie Yu; Dan Punshon-Smith; DBS Audio System; Friends of the Rail Park: Kevin Dow, Shawn Sheu; Genevieve Delaney; Japan Foundation, New York; Jeff Brown; Jen Brown; Jim Christensen; Maddie Hewitt; Marina McDougall Vella ; Mural Arts: Jane Golden, Judy Hellman, Todd Bressi; Rodin Market Partners; SEPTA; Yoko.<br />
October 12, 2019
    AY2_1255-20191012.jpg
  • Moon Viewing Platform is an interdisciplinary public installation that will transform an inhospitable and disused stretch of open-air land into a large-scale performance/gathering space featuring regular acts of caring, a stage, and building-sized nighttime video projections featuring an episodic series of short films. The garden/installation references the karesansui (Japanese dry landscape garden), as it becomes a set for a series of short videos and musical performances, inviting audiences to enter another world through the senses and the imagination and provides the opportunity to engage in intimate commemorative gatherings that celebrate compassion, creativity, and community as essential components of human life.<br />
<br />
Moon Viewing film series, featuring:<br />
New Moon…Harold E. Smith<br />
Waxing Crescent…Sarah McEneaney<br />
First Quarter…Cristina Martinez<br />
Waxing Gibbous…Itzela & Elio Wiley<br />
Full Moon…Anja Suib-Hironaka<br />
Waning Gibbous…Cat & Pigeon<br />
Third Quarter…Thomas Patteson<br />
Waning Crescent…Connie Yu<br />
<br />
Acknowledgements<br />
Aaron Igler / Greenhouse Media; The Academy of Natural Sciences: Michael Kaczmarczik;<br />
All Seasons Landscaping : Ed Kauffeld, Steve Ganz; American Composers Forum: Gene Coleman, Stanford Thompson; Anja Suib-Hironaka; Apiary Studio; Ben Miller; Community College of Philadelphia: Al Tomlin, Derrick Sawyer, Dr. Donald Generals, Ed Orner, Erica Harrison, Jacob Eapen, Jerome Wilkerson, Tyreice DuPass; Connie Yu; Dan Punshon-Smith; DBS Audio System; Friends of the Rail Park: Kevin Dow, Shawn Sheu; Genevieve Delaney; Japan Foundation, New York; Jeff Brown; Jen Brown; Jim Christensen; Maddie Hewitt; Marina McDougall Vella ; Mural Arts: Jane Golden, Judy Hellman, Todd Bressi; Rodin Market Partners; SEPTA; Yoko.<br />
October 12, 2019
    YEE_3305-20191012.jpg
  • Jane Golden, Executive Director, Mural Arts Philadelphia<br />
A preview of what's to come for the 2019 season of The Oval+<br />
In front of the Rodin Museum<br />
July 18, 2019
    YEE_1310-20190718.jpg
  • Moon Viewing Platform is an interdisciplinary public installation that will transform an inhospitable and disused stretch of open-air land into a large-scale performance/gathering space featuring regular acts of caring, a stage, and building-sized nighttime video projections featuring an episodic series of short films. The garden/installation references the karesansui (Japanese dry landscape garden), as it becomes a set for a series of short videos and musical performances, inviting audiences to enter another world through the senses and the imagination and provides the opportunity to engage in intimate commemorative gatherings that celebrate compassion, creativity, and community as essential components of human life.<br />
<br />
Moon Viewing film series, featuring:<br />
New Moon…Harold E. Smith<br />
Waxing Crescent…Sarah McEneaney<br />
First Quarter…Cristina Martinez<br />
Waxing Gibbous…Itzela & Elio Wiley<br />
Full Moon…Anja Suib-Hironaka<br />
Waning Gibbous…Cat & Pigeon<br />
Third Quarter…Thomas Patteson<br />
Waning Crescent…Connie Yu<br />
<br />
Acknowledgements<br />
Aaron Igler / Greenhouse Media; The Academy of Natural Sciences: Michael Kaczmarczik;<br />
All Seasons Landscaping : Ed Kauffeld, Steve Ganz; American Composers Forum: Gene Coleman, Stanford Thompson; Anja Suib-Hironaka; Apiary Studio; Ben Miller; Community College of Philadelphia: Al Tomlin, Derrick Sawyer, Dr. Donald Generals, Ed Orner, Erica Harrison, Jacob Eapen, Jerome Wilkerson, Tyreice DuPass; Connie Yu; Dan Punshon-Smith; DBS Audio System; Friends of the Rail Park: Kevin Dow, Shawn Sheu; Genevieve Delaney; Japan Foundation, New York; Jeff Brown; Jen Brown; Jim Christensen; Maddie Hewitt; Marina McDougall Vella ; Mural Arts: Jane Golden, Judy Hellman, Todd Bressi; Rodin Market Partners; SEPTA; Yoko.<br />
October 12, 2019
    AY2_1242-20191012.jpg
  • Jane Golden, Executive Director, Mural Arts Philadelphia<br />
A preview of what's to come for the 2019 season of The Oval+<br />
In front of the Rodin Museum<br />
July 18, 2019
    YEE_1284-20190718.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    AY2_1172-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    AY2_0797-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    AY2_0789-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    YEE_3236-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    YEE_3193-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    YEE_2869-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    AY2_1197-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    AY2_0782-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    AY2_1176-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    AY2_0815-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    AY2_0742-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    YEE_3249-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    YEE_3208-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    YEE_3178-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    YEE_3185-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    YEE_2936-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    YEE_2933-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    YEE_2885-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    YEE_2882-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    YEE_2847-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    AY2_1205-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    AY2_1229-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    YEE_2920-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    YEE_2895-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    AY2_1133-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    AY2_1212-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    AY2_1190-20191012.jpg
  • Aspect 281, Carolyn Healy and John JH Phillips’ latest installation, is a multimedia work inspired by the importance of railroading in Philadelphia’s development and the signaling technology that made it possible. There are many parts to this immersive installation: three 9-foot-high sculptures derived from steam train smokestacks puffing steam on occasion; truss arches reflecting the many passages of trains over the streets of Philadelphia; quarter-scale train tracks; two large video projections combining historic train footage with visualizations of signals; a quadraphonic sound composition composed primarily of railroad sounds; a 3-story-tall wall graphic; authentic railroad signs, signals, and lanterns. All of these comprise a free and open place to be intrigued by the history of transportation, and to wonder about parallels between the methods that have evolved to control the complex web of tracks we take for granted everyday and the systems controlling other information that flows around us. The artists will be present at the exhibit when open. They look forward to talking with you.<br />
October 12, 2019
    AY2_0833-20191012.jpg
  • Soon/ Now/ Gone engages with the Rail Park site’s history as a space for movement through a series of interactive installations and performances. Our point of departure is the Victorian era, where technologies such as the railroad and photography/cinema began to be used as a way to capture, collapse, and re-deploy time. In various tunnels and underpasses beneath the Viaduct section of the Rail Park, audiences will be invited to activate zoopraxiscopes—a pre-cinema device developed by Eadweard Muybridge in 1879—which will project hand-drawn images from rotating glass disks in rapid succession to create the illusion of motion. Each zoopraxiscope is fitted with a music device that visitors can use to activate an original soundtrack composed for the installation. By turning on and off different strains of the music and triggering sound effects, they will be able to create their own scores to the moving images on the tunnel wall. Thematically-linked performance programs each night feature everything from time-traveling storytellers to processional puppets to audio-visual improvisations.<br />
<br />
Zoopraxiscope soundtrack features musical contributions from: Kate Porter, Neil Feather, Joshua Machiz, Russell Kotcher, Keir Neuringer, Shelly Purdy, Tom Goldstein, and Will Redman. Engineer of Sound Playback and Controllers: Jeff Carey. Zoopraxiscope Fabrication: Tim Belknap.<br />
October 12, 2019
    AY2_1070-20191012.jpg
  • Soon/ Now/ Gone engages with the Rail Park site’s history as a space for movement through a series of interactive installations and performances. Our point of departure is the Victorian era, where technologies such as the railroad and photography/cinema began to be used as a way to capture, collapse, and re-deploy time. In various tunnels and underpasses beneath the Viaduct section of the Rail Park, audiences will be invited to activate zoopraxiscopes—a pre-cinema device developed by Eadweard Muybridge in 1879—which will project hand-drawn images from rotating glass disks in rapid succession to create the illusion of motion. Each zoopraxiscope is fitted with a music device that visitors can use to activate an original soundtrack composed for the installation. By turning on and off different strains of the music and triggering sound effects, they will be able to create their own scores to the moving images on the tunnel wall. Thematically-linked performance programs each night feature everything from time-traveling storytellers to processional puppets to audio-visual improvisations.<br />
<br />
Zoopraxiscope soundtrack features musical contributions from: Kate Porter, Neil Feather, Joshua Machiz, Russell Kotcher, Keir Neuringer, Shelly Purdy, Tom Goldstein, and Will Redman. Engineer of Sound Playback and Controllers: Jeff Carey. Zoopraxiscope Fabrication: Tim Belknap.<br />
October 12, 2019
    AY2_1105-20191012.jpg
  • Soon/ Now/ Gone engages with the Rail Park site’s history as a space for movement through a series of interactive installations and performances. Our point of departure is the Victorian era, where technologies such as the railroad and photography/cinema began to be used as a way to capture, collapse, and re-deploy time. In various tunnels and underpasses beneath the Viaduct section of the Rail Park, audiences will be invited to activate zoopraxiscopes—a pre-cinema device developed by Eadweard Muybridge in 1879—which will project hand-drawn images from rotating glass disks in rapid succession to create the illusion of motion. Each zoopraxiscope is fitted with a music device that visitors can use to activate an original soundtrack composed for the installation. By turning on and off different strains of the music and triggering sound effects, they will be able to create their own scores to the moving images on the tunnel wall. Thematically-linked performance programs each night feature everything from time-traveling storytellers to processional puppets to audio-visual improvisations.<br />
<br />
Zoopraxiscope soundtrack features musical contributions from: Kate Porter, Neil Feather, Joshua Machiz, Russell Kotcher, Keir Neuringer, Shelly Purdy, Tom Goldstein, and Will Redman. Engineer of Sound Playback and Controllers: Jeff Carey. Zoopraxiscope Fabrication: Tim Belknap.<br />
October 12, 2019
    AY2_0846-20191012.jpg
  • Soon/ Now/ Gone engages with the Rail Park site’s history as a space for movement through a series of interactive installations and performances. Our point of departure is the Victorian era, where technologies such as the railroad and photography/cinema began to be used as a way to capture, collapse, and re-deploy time. In various tunnels and underpasses beneath the Viaduct section of the Rail Park, audiences will be invited to activate zoopraxiscopes—a pre-cinema device developed by Eadweard Muybridge in 1879—which will project hand-drawn images from rotating glass disks in rapid succession to create the illusion of motion. Each zoopraxiscope is fitted with a music device that visitors can use to activate an original soundtrack composed for the installation. By turning on and off different strains of the music and triggering sound effects, they will be able to create their own scores to the moving images on the tunnel wall. Thematically-linked performance programs each night feature everything from time-traveling storytellers to processional puppets to audio-visual improvisations.<br />
<br />
Zoopraxiscope soundtrack features musical contributions from: Kate Porter, Neil Feather, Joshua Machiz, Russell Kotcher, Keir Neuringer, Shelly Purdy, Tom Goldstein, and Will Redman. Engineer of Sound Playback and Controllers: Jeff Carey. Zoopraxiscope Fabrication: Tim Belknap.<br />
October 12, 2019
    AY2_1021-20191012.jpg
  • Soon/ Now/ Gone engages with the Rail Park site’s history as a space for movement through a series of interactive installations and performances. Our point of departure is the Victorian era, where technologies such as the railroad and photography/cinema began to be used as a way to capture, collapse, and re-deploy time. In various tunnels and underpasses beneath the Viaduct section of the Rail Park, audiences will be invited to activate zoopraxiscopes—a pre-cinema device developed by Eadweard Muybridge in 1879—which will project hand-drawn images from rotating glass disks in rapid succession to create the illusion of motion. Each zoopraxiscope is fitted with a music device that visitors can use to activate an original soundtrack composed for the installation. By turning on and off different strains of the music and triggering sound effects, they will be able to create their own scores to the moving images on the tunnel wall. Thematically-linked performance programs each night feature everything from time-traveling storytellers to processional puppets to audio-visual improvisations.<br />
<br />
Zoopraxiscope soundtrack features musical contributions from: Kate Porter, Neil Feather, Joshua Machiz, Russell Kotcher, Keir Neuringer, Shelly Purdy, Tom Goldstein, and Will Redman. Engineer of Sound Playback and Controllers: Jeff Carey. Zoopraxiscope Fabrication: Tim Belknap.<br />
October 12, 2019
    AY2_0842-20191012.jpg
  • Soon/ Now/ Gone engages with the Rail Park site’s history as a space for movement through a series of interactive installations and performances. Our point of departure is the Victorian era, where technologies such as the railroad and photography/cinema began to be used as a way to capture, collapse, and re-deploy time. In various tunnels and underpasses beneath the Viaduct section of the Rail Park, audiences will be invited to activate zoopraxiscopes—a pre-cinema device developed by Eadweard Muybridge in 1879—which will project hand-drawn images from rotating glass disks in rapid succession to create the illusion of motion. Each zoopraxiscope is fitted with a music device that visitors can use to activate an original soundtrack composed for the installation. By turning on and off different strains of the music and triggering sound effects, they will be able to create their own scores to the moving images on the tunnel wall. Thematically-linked performance programs each night feature everything from time-traveling storytellers to processional puppets to audio-visual improvisations.<br />
<br />
Zoopraxiscope soundtrack features musical contributions from: Kate Porter, Neil Feather, Joshua Machiz, Russell Kotcher, Keir Neuringer, Shelly Purdy, Tom Goldstein, and Will Redman. Engineer of Sound Playback and Controllers: Jeff Carey. Zoopraxiscope Fabrication: Tim Belknap.<br />
October 12, 2019
    YEE_3167-20191012.jpg
  • Soon/ Now/ Gone engages with the Rail Park site’s history as a space for movement through a series of interactive installations and performances. Our point of departure is the Victorian era, where technologies such as the railroad and photography/cinema began to be used as a way to capture, collapse, and re-deploy time. In various tunnels and underpasses beneath the Viaduct section of the Rail Park, audiences will be invited to activate zoopraxiscopes—a pre-cinema device developed by Eadweard Muybridge in 1879—which will project hand-drawn images from rotating glass disks in rapid succession to create the illusion of motion. Each zoopraxiscope is fitted with a music device that visitors can use to activate an original soundtrack composed for the installation. By turning on and off different strains of the music and triggering sound effects, they will be able to create their own scores to the moving images on the tunnel wall. Thematically-linked performance programs each night feature everything from time-traveling storytellers to processional puppets to audio-visual improvisations.<br />
<br />
Zoopraxiscope soundtrack features musical contributions from: Kate Porter, Neil Feather, Joshua Machiz, Russell Kotcher, Keir Neuringer, Shelly Purdy, Tom Goldstein, and Will Redman. Engineer of Sound Playback and Controllers: Jeff Carey. Zoopraxiscope Fabrication: Tim Belknap.<br />
October 12, 2019
    YEE_3139-20191012.jpg
  • Soon/ Now/ Gone engages with the Rail Park site’s history as a space for movement through a series of interactive installations and performances. Our point of departure is the Victorian era, where technologies such as the railroad and photography/cinema began to be used as a way to capture, collapse, and re-deploy time. In various tunnels and underpasses beneath the Viaduct section of the Rail Park, audiences will be invited to activate zoopraxiscopes—a pre-cinema device developed by Eadweard Muybridge in 1879—which will project hand-drawn images from rotating glass disks in rapid succession to create the illusion of motion. Each zoopraxiscope is fitted with a music device that visitors can use to activate an original soundtrack composed for the installation. By turning on and off different strains of the music and triggering sound effects, they will be able to create their own scores to the moving images on the tunnel wall. Thematically-linked performance programs each night feature everything from time-traveling storytellers to processional puppets to audio-visual improvisations.<br />
<br />
Zoopraxiscope soundtrack features musical contributions from: Kate Porter, Neil Feather, Joshua Machiz, Russell Kotcher, Keir Neuringer, Shelly Purdy, Tom Goldstein, and Will Redman. Engineer of Sound Playback and Controllers: Jeff Carey. Zoopraxiscope Fabrication: Tim Belknap.<br />
October 12, 2019
    YEE_3126-20191012.jpg
  • Soon/ Now/ Gone engages with the Rail Park site’s history as a space for movement through a series of interactive installations and performances. Our point of departure is the Victorian era, where technologies such as the railroad and photography/cinema began to be used as a way to capture, collapse, and re-deploy time. In various tunnels and underpasses beneath the Viaduct section of the Rail Park, audiences will be invited to activate zoopraxiscopes—a pre-cinema device developed by Eadweard Muybridge in 1879—which will project hand-drawn images from rotating glass disks in rapid succession to create the illusion of motion. Each zoopraxiscope is fitted with a music device that visitors can use to activate an original soundtrack composed for the installation. By turning on and off different strains of the music and triggering sound effects, they will be able to create their own scores to the moving images on the tunnel wall. Thematically-linked performance programs each night feature everything from time-traveling storytellers to processional puppets to audio-visual improvisations.<br />
<br />
Zoopraxiscope soundtrack features musical contributions from: Kate Porter, Neil Feather, Joshua Machiz, Russell Kotcher, Keir Neuringer, Shelly Purdy, Tom Goldstein, and Will Redman. Engineer of Sound Playback and Controllers: Jeff Carey. Zoopraxiscope Fabrication: Tim Belknap.<br />
October 12, 2019
    YEE_3089-20191012.jpg
  • Soon/ Now/ Gone engages with the Rail Park site’s history as a space for movement through a series of interactive installations and performances. Our point of departure is the Victorian era, where technologies such as the railroad and photography/cinema began to be used as a way to capture, collapse, and re-deploy time. In various tunnels and underpasses beneath the Viaduct section of the Rail Park, audiences will be invited to activate zoopraxiscopes—a pre-cinema device developed by Eadweard Muybridge in 1879—which will project hand-drawn images from rotating glass disks in rapid succession to create the illusion of motion. Each zoopraxiscope is fitted with a music device that visitors can use to activate an original soundtrack composed for the installation. By turning on and off different strains of the music and triggering sound effects, they will be able to create their own scores to the moving images on the tunnel wall. Thematically-linked performance programs each night feature everything from time-traveling storytellers to processional puppets to audio-visual improvisations.<br />
<br />
Zoopraxiscope soundtrack features musical contributions from: Kate Porter, Neil Feather, Joshua Machiz, Russell Kotcher, Keir Neuringer, Shelly Purdy, Tom Goldstein, and Will Redman. Engineer of Sound Playback and Controllers: Jeff Carey. Zoopraxiscope Fabrication: Tim Belknap.<br />
October 12, 2019
    YEE_3101-20191012.jpg
  • Soon/ Now/ Gone engages with the Rail Park site’s history as a space for movement through a series of interactive installations and performances. Our point of departure is the Victorian era, where technologies such as the railroad and photography/cinema began to be used as a way to capture, collapse, and re-deploy time. In various tunnels and underpasses beneath the Viaduct section of the Rail Park, audiences will be invited to activate zoopraxiscopes—a pre-cinema device developed by Eadweard Muybridge in 1879—which will project hand-drawn images from rotating glass disks in rapid succession to create the illusion of motion. Each zoopraxiscope is fitted with a music device that visitors can use to activate an original soundtrack composed for the installation. By turning on and off different strains of the music and triggering sound effects, they will be able to create their own scores to the moving images on the tunnel wall. Thematically-linked performance programs each night feature everything from time-traveling storytellers to processional puppets to audio-visual improvisations.<br />
<br />
Zoopraxiscope soundtrack features musical contributions from: Kate Porter, Neil Feather, Joshua Machiz, Russell Kotcher, Keir Neuringer, Shelly Purdy, Tom Goldstein, and Will Redman. Engineer of Sound Playback and Controllers: Jeff Carey. Zoopraxiscope Fabrication: Tim Belknap.<br />
October 12, 2019
    YEE_3069-20191012.jpg
  • Soon/ Now/ Gone engages with the Rail Park site’s history as a space for movement through a series of interactive installations and performances. Our point of departure is the Victorian era, where technologies such as the railroad and photography/cinema began to be used as a way to capture, collapse, and re-deploy time. In various tunnels and underpasses beneath the Viaduct section of the Rail Park, audiences will be invited to activate zoopraxiscopes—a pre-cinema device developed by Eadweard Muybridge in 1879—which will project hand-drawn images from rotating glass disks in rapid succession to create the illusion of motion. Each zoopraxiscope is fitted with a music device that visitors can use to activate an original soundtrack composed for the installation. By turning on and off different strains of the music and triggering sound effects, they will be able to create their own scores to the moving images on the tunnel wall. Thematically-linked performance programs each night feature everything from time-traveling storytellers to processional puppets to audio-visual improvisations.<br />
<br />
Zoopraxiscope soundtrack features musical contributions from: Kate Porter, Neil Feather, Joshua Machiz, Russell Kotcher, Keir Neuringer, Shelly Purdy, Tom Goldstein, and Will Redman. Engineer of Sound Playback and Controllers: Jeff Carey. Zoopraxiscope Fabrication: Tim Belknap.<br />
October 12, 2019
    YEE_3033-20191012.jpg
  • Soon/ Now/ Gone engages with the Rail Park site’s history as a space for movement through a series of interactive installations and performances. Our point of departure is the Victorian era, where technologies such as the railroad and photography/cinema began to be used as a way to capture, collapse, and re-deploy time. In various tunnels and underpasses beneath the Viaduct section of the Rail Park, audiences will be invited to activate zoopraxiscopes—a pre-cinema device developed by Eadweard Muybridge in 1879—which will project hand-drawn images from rotating glass disks in rapid succession to create the illusion of motion. Each zoopraxiscope is fitted with a music device that visitors can use to activate an original soundtrack composed for the installation. By turning on and off different strains of the music and triggering sound effects, they will be able to create their own scores to the moving images on the tunnel wall. Thematically-linked performance programs each night feature everything from time-traveling storytellers to processional puppets to audio-visual improvisations.<br />
<br />
Zoopraxiscope soundtrack features musical contributions from: Kate Porter, Neil Feather, Joshua Machiz, Russell Kotcher, Keir Neuringer, Shelly Purdy, Tom Goldstein, and Will Redman. Engineer of Sound Playback and Controllers: Jeff Carey. Zoopraxiscope Fabrication: Tim Belknap.<br />
October 12, 2019
    YEE_3032-20191012.jpg
  • Soon/ Now/ Gone engages with the Rail Park site’s history as a space for movement through a series of interactive installations and performances. Our point of departure is the Victorian era, where technologies such as the railroad and photography/cinema began to be used as a way to capture, collapse, and re-deploy time. In various tunnels and underpasses beneath the Viaduct section of the Rail Park, audiences will be invited to activate zoopraxiscopes—a pre-cinema device developed by Eadweard Muybridge in 1879—which will project hand-drawn images from rotating glass disks in rapid succession to create the illusion of motion. Each zoopraxiscope is fitted with a music device that visitors can use to activate an original soundtrack composed for the installation. By turning on and off different strains of the music and triggering sound effects, they will be able to create their own scores to the moving images on the tunnel wall. Thematically-linked performance programs each night feature everything from time-traveling storytellers to processional puppets to audio-visual improvisations.<br />
<br />
Zoopraxiscope soundtrack features musical contributions from: Kate Porter, Neil Feather, Joshua Machiz, Russell Kotcher, Keir Neuringer, Shelly Purdy, Tom Goldstein, and Will Redman. Engineer of Sound Playback and Controllers: Jeff Carey. Zoopraxiscope Fabrication: Tim Belknap.<br />
October 12, 2019
    YEE_3008-20191012.jpg
  • Soon/ Now/ Gone engages with the Rail Park site’s history as a space for movement through a series of interactive installations and performances. Our point of departure is the Victorian era, where technologies such as the railroad and photography/cinema began to be used as a way to capture, collapse, and re-deploy time. In various tunnels and underpasses beneath the Viaduct section of the Rail Park, audiences will be invited to activate zoopraxiscopes—a pre-cinema device developed by Eadweard Muybridge in 1879—which will project hand-drawn images from rotating glass disks in rapid succession to create the illusion of motion. Each zoopraxiscope is fitted with a music device that visitors can use to activate an original soundtrack composed for the installation. By turning on and off different strains of the music and triggering sound effects, they will be able to create their own scores to the moving images on the tunnel wall. Thematically-linked performance programs each night feature everything from time-traveling storytellers to processional puppets to audio-visual improvisations.<br />
<br />
Zoopraxiscope soundtrack features musical contributions from: Kate Porter, Neil Feather, Joshua Machiz, Russell Kotcher, Keir Neuringer, Shelly Purdy, Tom Goldstein, and Will Redman. Engineer of Sound Playback and Controllers: Jeff Carey. Zoopraxiscope Fabrication: Tim Belknap.<br />
October 12, 2019
    YEE_2990-20191012.jpg
  • Soon/ Now/ Gone engages with the Rail Park site’s history as a space for movement through a series of interactive installations and performances. Our point of departure is the Victorian era, where technologies such as the railroad and photography/cinema began to be used as a way to capture, collapse, and re-deploy time. In various tunnels and underpasses beneath the Viaduct section of the Rail Park, audiences will be invited to activate zoopraxiscopes—a pre-cinema device developed by Eadweard Muybridge in 1879—which will project hand-drawn images from rotating glass disks in rapid succession to create the illusion of motion. Each zoopraxiscope is fitted with a music device that visitors can use to activate an original soundtrack composed for the installation. By turning on and off different strains of the music and triggering sound effects, they will be able to create their own scores to the moving images on the tunnel wall. Thematically-linked performance programs each night feature everything from time-traveling storytellers to processional puppets to audio-visual improvisations.<br />
<br />
Zoopraxiscope soundtrack features musical contributions from: Kate Porter, Neil Feather, Joshua Machiz, Russell Kotcher, Keir Neuringer, Shelly Purdy, Tom Goldstein, and Will Redman. Engineer of Sound Playback and Controllers: Jeff Carey. Zoopraxiscope Fabrication: Tim Belknap.<br />
October 12, 2019
    YEE_2986-20191012.jpg
  • Soon/ Now/ Gone engages with the Rail Park site’s history as a space for movement through a series of interactive installations and performances. Our point of departure is the Victorian era, where technologies such as the railroad and photography/cinema began to be used as a way to capture, collapse, and re-deploy time. In various tunnels and underpasses beneath the Viaduct section of the Rail Park, audiences will be invited to activate zoopraxiscopes—a pre-cinema device developed by Eadweard Muybridge in 1879—which will project hand-drawn images from rotating glass disks in rapid succession to create the illusion of motion. Each zoopraxiscope is fitted with a music device that visitors can use to activate an original soundtrack composed for the installation. By turning on and off different strains of the music and triggering sound effects, they will be able to create their own scores to the moving images on the tunnel wall. Thematically-linked performance programs each night feature everything from time-traveling storytellers to processional puppets to audio-visual improvisations.<br />
<br />
Zoopraxiscope soundtrack features musical contributions from: Kate Porter, Neil Feather, Joshua Machiz, Russell Kotcher, Keir Neuringer, Shelly Purdy, Tom Goldstein, and Will Redman. Engineer of Sound Playback and Controllers: Jeff Carey. Zoopraxiscope Fabrication: Tim Belknap.<br />
October 12, 2019
    AY2_1233-20191012.jpg
  • Soon/ Now/ Gone engages with the Rail Park site’s history as a space for movement through a series of interactive installations and performances. Our point of departure is the Victorian era, where technologies such as the railroad and photography/cinema began to be used as a way to capture, collapse, and re-deploy time. In various tunnels and underpasses beneath the Viaduct section of the Rail Park, audiences will be invited to activate zoopraxiscopes—a pre-cinema device developed by Eadweard Muybridge in 1879—which will project hand-drawn images from rotating glass disks in rapid succession to create the illusion of motion. Each zoopraxiscope is fitted with a music device that visitors can use to activate an original soundtrack composed for the installation. By turning on and off different strains of the music and triggering sound effects, they will be able to create their own scores to the moving images on the tunnel wall. Thematically-linked performance programs each night feature everything from time-traveling storytellers to processional puppets to audio-visual improvisations.<br />
<br />
Zoopraxiscope soundtrack features musical contributions from: Kate Porter, Neil Feather, Joshua Machiz, Russell Kotcher, Keir Neuringer, Shelly Purdy, Tom Goldstein, and Will Redman. Engineer of Sound Playback and Controllers: Jeff Carey. Zoopraxiscope Fabrication: Tim Belknap.<br />
October 12, 2019
    YEE_3016-20191012.jpg
  • Soon/ Now/ Gone engages with the Rail Park site’s history as a space for movement through a series of interactive installations and performances. Our point of departure is the Victorian era, where technologies such as the railroad and photography/cinema began to be used as a way to capture, collapse, and re-deploy time. In various tunnels and underpasses beneath the Viaduct section of the Rail Park, audiences will be invited to activate zoopraxiscopes—a pre-cinema device developed by Eadweard Muybridge in 1879—which will project hand-drawn images from rotating glass disks in rapid succession to create the illusion of motion. Each zoopraxiscope is fitted with a music device that visitors can use to activate an original soundtrack composed for the installation. By turning on and off different strains of the music and triggering sound effects, they will be able to create their own scores to the moving images on the tunnel wall. Thematically-linked performance programs each night feature everything from time-traveling storytellers to processional puppets to audio-visual improvisations.<br />
<br />
Zoopraxiscope soundtrack features musical contributions from: Kate Porter, Neil Feather, Joshua Machiz, Russell Kotcher, Keir Neuringer, Shelly Purdy, Tom Goldstein, and Will Redman. Engineer of Sound Playback and Controllers: Jeff Carey. Zoopraxiscope Fabrication: Tim Belknap.<br />
October 12, 2019
    AY2_0912-20191012.jpg
  • Soon/ Now/ Gone engages with the Rail Park site’s history as a space for movement through a series of interactive installations and performances. Our point of departure is the Victorian era, where technologies such as the railroad and photography/cinema began to be used as a way to capture, collapse, and re-deploy time. In various tunnels and underpasses beneath the Viaduct section of the Rail Park, audiences will be invited to activate zoopraxiscopes—a pre-cinema device developed by Eadweard Muybridge in 1879—which will project hand-drawn images from rotating glass disks in rapid succession to create the illusion of motion. Each zoopraxiscope is fitted with a music device that visitors can use to activate an original soundtrack composed for the installation. By turning on and off different strains of the music and triggering sound effects, they will be able to create their own scores to the moving images on the tunnel wall. Thematically-linked performance programs each night feature everything from time-traveling storytellers to processional puppets to audio-visual improvisations.<br />
<br />
Zoopraxiscope soundtrack features musical contributions from: Kate Porter, Neil Feather, Joshua Machiz, Russell Kotcher, Keir Neuringer, Shelly Purdy, Tom Goldstein, and Will Redman. Engineer of Sound Playback and Controllers: Jeff Carey. Zoopraxiscope Fabrication: Tim Belknap.<br />
October 12, 2019
    AY2_0977-20191012.jpg
  • Soon/ Now/ Gone engages with the Rail Park site’s history as a space for movement through a series of interactive installations and performances. Our point of departure is the Victorian era, where technologies such as the railroad and photography/cinema began to be used as a way to capture, collapse, and re-deploy time. In various tunnels and underpasses beneath the Viaduct section of the Rail Park, audiences will be invited to activate zoopraxiscopes—a pre-cinema device developed by Eadweard Muybridge in 1879—which will project hand-drawn images from rotating glass disks in rapid succession to create the illusion of motion. Each zoopraxiscope is fitted with a music device that visitors can use to activate an original soundtrack composed for the installation. By turning on and off different strains of the music and triggering sound effects, they will be able to create their own scores to the moving images on the tunnel wall. Thematically-linked performance programs each night feature everything from time-traveling storytellers to processional puppets to audio-visual improvisations.<br />
<br />
Zoopraxiscope soundtrack features musical contributions from: Kate Porter, Neil Feather, Joshua Machiz, Russell Kotcher, Keir Neuringer, Shelly Purdy, Tom Goldstein, and Will Redman. Engineer of Sound Playback and Controllers: Jeff Carey. Zoopraxiscope Fabrication: Tim Belknap.<br />
October 12, 2019
    YEE_3039-20191012.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2677-20151113.jpg
  • Mural Arts Program's Neighborhood Time Exchange artist exhibition<br />
November 13, 2015
    YEE_3449-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2810-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2833-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2790-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2721-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2736-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2764-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2707-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2705-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2699-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2693-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2646-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2640-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2605-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2621-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2628-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2607-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2593-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2984-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2995-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2896-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2921-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2936-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2880-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2970-20151113.jpg
  • Mural Arts Program's Neighborhood Time Exchange artist exhibition<br />
November 13, 2015
    YEE_3185-20151113.jpg
  • Mural Arts Program's Neighborhood Time Exchange artist exhibition<br />
November 13, 2015
    YEE_3182-20151113.jpg
  • Mural Arts Program's Neighborhood Time Exchange artist exhibition<br />
November 13, 2015
    YEE_3163-20151113.jpg
  • Mural Arts Program's Neighborhood Time Exchange artist exhibition<br />
November 13, 2015
    YEE_3138-20151113.jpg
  • Mural Arts Program's Neighborhood Time Exchange artist exhibition<br />
November 13, 2015
    YEE_3105-20151113.jpg
  • Mural Arts Program's Neighborhood Time Exchange artist exhibition<br />
November 13, 2015
    YEE_3129-20151113.jpg
  • Mural Arts Program's Neighborhood Time Exchange artist exhibition<br />
November 13, 2015
    YEE_3098-20151113.jpg
  • Mural Arts Program's Neighborhood Time Exchange artist exhibition<br />
November 13, 2015
    YEE_3092-20151113.jpg
  • Mural Arts Program's Neighborhood Time Exchange artist exhibition<br />
November 13, 2015
    YEE_3091-20151113.jpg
  • Mural Arts Program's Neighborhood Time Exchange artist exhibition<br />
November 13, 2015
    YEE_3079-20151113.jpg
  • Mural Arts Program's Neighborhood Time Exchange artist exhibition<br />
November 13, 2015
    YEE_3077-20151113.jpg
  • Mural Arts Program's Neighborhood Time Exchange artist exhibition<br />
November 13, 2015
    YEE_3075-20151113.jpg
  • Mural Arts Program's Neighborhood Time Exchange artist exhibition<br />
November 13, 2015
    YEE_3057-20151113.jpg
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