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  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5527-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5504-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5512-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5529-20160425.jpg
  • aPA Board President, Barbara Aronson<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5483-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5500-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    AY2_6197-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    AY2_6188-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_6012-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5970-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_6092-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_6070-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5980-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_6020-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5722-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5919-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5914-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5948-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5731-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5851-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5776-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5797-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5548-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5590-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5605-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5531-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5974-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5827-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5532-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_6103-20160425.jpg
  • aPA Executive Director Penny Balkin Bach, Marc Pally, aPA Board President Barbara Aronson<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5843-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5813-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5739-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_6108-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    AY2_6169-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5708-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    AY2_6172-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    AY2_6192-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    AY2_6129-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    AY2_6148-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_6067-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5847-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5876-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5750-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5680-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5716-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5576-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5618-20160425.jpg
  • HANK WILLIS THOMAS<br />
ALL POWER TO ALL PEOPLE<br />
<br />
"Public monuments have a higher charge now. They can celebrate a specific individual, or a group of people, but they should also invite a broader conversation about how a memorial can connect to the rest of the world and represent its people."<br />
Hank Willis Thomas <br />
<br />
All Power to All People combines the Afro pick and the Black Power salute, two potent symbols of Black identity and social justice. While the title references a legendary Black Panther Party slogan, this activation welcomes anyone who seeks to participate in this watershed social and cultural moment. It is a call to action, and in Thomas' own words, "we the people are standing up to take the power back." <br />
<br />
All Power to All People stands 28 feet tall and weighs in at 24,000lbs. When Thomas conceived of the monumental Afro pick with a raised fist, he wanted to make an object that spoke specifically to African Americans. <br />
<br />
Around the 20th century, Afro combs started to take on a definite cultural and political meaning. The "black fist" was added to the bottom of many Afro combs and is a reference to the Black Power salute that was made popular  during  the 1960’s civil rights movement. In addition to using the pick as a styling tool, many Black men and women wore the picks in their Afros as a way to express their cultural pride. <br />
<br />
The Afro pick exists today as many things to different people: it is representative not only of an era, but a sound and a counter culture. It is a uniting motif, worn as adornment, a political emblem, and signature of collective identity.<br />
<br />
Art has always heralded revolution, bringing unrest and social issues into the mainstream of culture in a less disquieting way and in this, we believe that art and specifically Hank Willis Thomas' work has a role to play in how we—a country at a crossroad—moves forward as a nation. <br />
<br />
In light of ongoing, anti-Black police brutality and a pandemic that disproportionately affects Black individuals, A
    YEE_0042-20210913.jpg
  • HANK WILLIS THOMAS<br />
ALL POWER TO ALL PEOPLE<br />
<br />
"Public monuments have a higher charge now. They can celebrate a specific individual, or a group of people, but they should also invite a broader conversation about how a memorial can connect to the rest of the world and represent its people."<br />
Hank Willis Thomas <br />
<br />
All Power to All People combines the Afro pick and the Black Power salute, two potent symbols of Black identity and social justice. While the title references a legendary Black Panther Party slogan, this activation welcomes anyone who seeks to participate in this watershed social and cultural moment. It is a call to action, and in Thomas' own words, "we the people are standing up to take the power back." <br />
<br />
All Power to All People stands 28 feet tall and weighs in at 24,000lbs. When Thomas conceived of the monumental Afro pick with a raised fist, he wanted to make an object that spoke specifically to African Americans. <br />
<br />
Around the 20th century, Afro combs started to take on a definite cultural and political meaning. The "black fist" was added to the bottom of many Afro combs and is a reference to the Black Power salute that was made popular  during  the 1960’s civil rights movement. In addition to using the pick as a styling tool, many Black men and women wore the picks in their Afros as a way to express their cultural pride. <br />
<br />
The Afro pick exists today as many things to different people: it is representative not only of an era, but a sound and a counter culture. It is a uniting motif, worn as adornment, a political emblem, and signature of collective identity.<br />
<br />
Art has always heralded revolution, bringing unrest and social issues into the mainstream of culture in a less disquieting way and in this, we believe that art and specifically Hank Willis Thomas' work has a role to play in how we—a country at a crossroad—moves forward as a nation. <br />
<br />
In light of ongoing, anti-Black police brutality and a pandemic that disproportionately affects Black individuals, A
    YEE_0038-20210913.jpg
  • HANK WILLIS THOMAS<br />
ALL POWER TO ALL PEOPLE<br />
<br />
"Public monuments have a higher charge now. They can celebrate a specific individual, or a group of people, but they should also invite a broader conversation about how a memorial can connect to the rest of the world and represent its people."<br />
Hank Willis Thomas <br />
<br />
All Power to All People combines the Afro pick and the Black Power salute, two potent symbols of Black identity and social justice. While the title references a legendary Black Panther Party slogan, this activation welcomes anyone who seeks to participate in this watershed social and cultural moment. It is a call to action, and in Thomas' own words, "we the people are standing up to take the power back." <br />
<br />
All Power to All People stands 28 feet tall and weighs in at 24,000lbs. When Thomas conceived of the monumental Afro pick with a raised fist, he wanted to make an object that spoke specifically to African Americans. <br />
<br />
Around the 20th century, Afro combs started to take on a definite cultural and political meaning. The "black fist" was added to the bottom of many Afro combs and is a reference to the Black Power salute that was made popular  during  the 1960’s civil rights movement. In addition to using the pick as a styling tool, many Black men and women wore the picks in their Afros as a way to express their cultural pride. <br />
<br />
The Afro pick exists today as many things to different people: it is representative not only of an era, but a sound and a counter culture. It is a uniting motif, worn as adornment, a political emblem, and signature of collective identity.<br />
<br />
Art has always heralded revolution, bringing unrest and social issues into the mainstream of culture in a less disquieting way and in this, we believe that art and specifically Hank Willis Thomas' work has a role to play in how we—a country at a crossroad—moves forward as a nation. <br />
<br />
In light of ongoing, anti-Black police brutality and a pandemic that disproportionately affects Black individuals, A
    YEE_0034-20210913.jpg
  • HANK WILLIS THOMAS<br />
ALL POWER TO ALL PEOPLE<br />
<br />
"Public monuments have a higher charge now. They can celebrate a specific individual, or a group of people, but they should also invite a broader conversation about how a memorial can connect to the rest of the world and represent its people."<br />
Hank Willis Thomas <br />
<br />
All Power to All People combines the Afro pick and the Black Power salute, two potent symbols of Black identity and social justice. While the title references a legendary Black Panther Party slogan, this activation welcomes anyone who seeks to participate in this watershed social and cultural moment. It is a call to action, and in Thomas' own words, "we the people are standing up to take the power back." <br />
<br />
All Power to All People stands 28 feet tall and weighs in at 24,000lbs. When Thomas conceived of the monumental Afro pick with a raised fist, he wanted to make an object that spoke specifically to African Americans. <br />
<br />
Around the 20th century, Afro combs started to take on a definite cultural and political meaning. The "black fist" was added to the bottom of many Afro combs and is a reference to the Black Power salute that was made popular  during  the 1960’s civil rights movement. In addition to using the pick as a styling tool, many Black men and women wore the picks in their Afros as a way to express their cultural pride. <br />
<br />
The Afro pick exists today as many things to different people: it is representative not only of an era, but a sound and a counter culture. It is a uniting motif, worn as adornment, a political emblem, and signature of collective identity.<br />
<br />
Art has always heralded revolution, bringing unrest and social issues into the mainstream of culture in a less disquieting way and in this, we believe that art and specifically Hank Willis Thomas' work has a role to play in how we—a country at a crossroad—moves forward as a nation. <br />
<br />
In light of ongoing, anti-Black police brutality and a pandemic that disproportionately affects Black individuals, A
    YEE_0053-20210913.jpg
  • HANK WILLIS THOMAS<br />
ALL POWER TO ALL PEOPLE<br />
<br />
"Public monuments have a higher charge now. They can celebrate a specific individual, or a group of people, but they should also invite a broader conversation about how a memorial can connect to the rest of the world and represent its people."<br />
Hank Willis Thomas <br />
<br />
All Power to All People combines the Afro pick and the Black Power salute, two potent symbols of Black identity and social justice. While the title references a legendary Black Panther Party slogan, this activation welcomes anyone who seeks to participate in this watershed social and cultural moment. It is a call to action, and in Thomas' own words, "we the people are standing up to take the power back." <br />
<br />
All Power to All People stands 28 feet tall and weighs in at 24,000lbs. When Thomas conceived of the monumental Afro pick with a raised fist, he wanted to make an object that spoke specifically to African Americans. <br />
<br />
Around the 20th century, Afro combs started to take on a definite cultural and political meaning. The "black fist" was added to the bottom of many Afro combs and is a reference to the Black Power salute that was made popular  during  the 1960’s civil rights movement. In addition to using the pick as a styling tool, many Black men and women wore the picks in their Afros as a way to express their cultural pride. <br />
<br />
The Afro pick exists today as many things to different people: it is representative not only of an era, but a sound and a counter culture. It is a uniting motif, worn as adornment, a political emblem, and signature of collective identity.<br />
<br />
Art has always heralded revolution, bringing unrest and social issues into the mainstream of culture in a less disquieting way and in this, we believe that art and specifically Hank Willis Thomas' work has a role to play in how we—a country at a crossroad—moves forward as a nation. <br />
<br />
In light of ongoing, anti-Black police brutality and a pandemic that disproportionately affects Black individuals, A
    YEE_0048-20210913.jpg
  • HANK WILLIS THOMAS<br />
ALL POWER TO ALL PEOPLE<br />
<br />
"Public monuments have a higher charge now. They can celebrate a specific individual, or a group of people, but they should also invite a broader conversation about how a memorial can connect to the rest of the world and represent its people."<br />
Hank Willis Thomas <br />
<br />
All Power to All People combines the Afro pick and the Black Power salute, two potent symbols of Black identity and social justice. While the title references a legendary Black Panther Party slogan, this activation welcomes anyone who seeks to participate in this watershed social and cultural moment. It is a call to action, and in Thomas' own words, "we the people are standing up to take the power back." <br />
<br />
All Power to All People stands 28 feet tall and weighs in at 24,000lbs. When Thomas conceived of the monumental Afro pick with a raised fist, he wanted to make an object that spoke specifically to African Americans. <br />
<br />
Around the 20th century, Afro combs started to take on a definite cultural and political meaning. The "black fist" was added to the bottom of many Afro combs and is a reference to the Black Power salute that was made popular  during  the 1960’s civil rights movement. In addition to using the pick as a styling tool, many Black men and women wore the picks in their Afros as a way to express their cultural pride. <br />
<br />
The Afro pick exists today as many things to different people: it is representative not only of an era, but a sound and a counter culture. It is a uniting motif, worn as adornment, a political emblem, and signature of collective identity.<br />
<br />
Art has always heralded revolution, bringing unrest and social issues into the mainstream of culture in a less disquieting way and in this, we believe that art and specifically Hank Willis Thomas' work has a role to play in how we—a country at a crossroad—moves forward as a nation. <br />
<br />
In light of ongoing, anti-Black police brutality and a pandemic that disproportionately affects Black individuals, A
    YEE_0043-20210913.jpg
  • HANK WILLIS THOMAS<br />
ALL POWER TO ALL PEOPLE<br />
<br />
"Public monuments have a higher charge now. They can celebrate a specific individual, or a group of people, but they should also invite a broader conversation about how a memorial can connect to the rest of the world and represent its people."<br />
Hank Willis Thomas <br />
<br />
All Power to All People combines the Afro pick and the Black Power salute, two potent symbols of Black identity and social justice. While the title references a legendary Black Panther Party slogan, this activation welcomes anyone who seeks to participate in this watershed social and cultural moment. It is a call to action, and in Thomas' own words, "we the people are standing up to take the power back." <br />
<br />
All Power to All People stands 28 feet tall and weighs in at 24,000lbs. When Thomas conceived of the monumental Afro pick with a raised fist, he wanted to make an object that spoke specifically to African Americans. <br />
<br />
Around the 20th century, Afro combs started to take on a definite cultural and political meaning. The "black fist" was added to the bottom of many Afro combs and is a reference to the Black Power salute that was made popular  during  the 1960’s civil rights movement. In addition to using the pick as a styling tool, many Black men and women wore the picks in their Afros as a way to express their cultural pride. <br />
<br />
The Afro pick exists today as many things to different people: it is representative not only of an era, but a sound and a counter culture. It is a uniting motif, worn as adornment, a political emblem, and signature of collective identity.<br />
<br />
Art has always heralded revolution, bringing unrest and social issues into the mainstream of culture in a less disquieting way and in this, we believe that art and specifically Hank Willis Thomas' work has a role to play in how we—a country at a crossroad—moves forward as a nation. <br />
<br />
In light of ongoing, anti-Black police brutality and a pandemic that disproportionately affects Black individuals, A
    YEE_0027-20210913.jpg
  • HANK WILLIS THOMAS<br />
ALL POWER TO ALL PEOPLE<br />
<br />
"Public monuments have a higher charge now. They can celebrate a specific individual, or a group of people, but they should also invite a broader conversation about how a memorial can connect to the rest of the world and represent its people."<br />
Hank Willis Thomas <br />
<br />
All Power to All People combines the Afro pick and the Black Power salute, two potent symbols of Black identity and social justice. While the title references a legendary Black Panther Party slogan, this activation welcomes anyone who seeks to participate in this watershed social and cultural moment. It is a call to action, and in Thomas' own words, "we the people are standing up to take the power back." <br />
<br />
All Power to All People stands 28 feet tall and weighs in at 24,000lbs. When Thomas conceived of the monumental Afro pick with a raised fist, he wanted to make an object that spoke specifically to African Americans. <br />
<br />
Around the 20th century, Afro combs started to take on a definite cultural and political meaning. The "black fist" was added to the bottom of many Afro combs and is a reference to the Black Power salute that was made popular  during  the 1960’s civil rights movement. In addition to using the pick as a styling tool, many Black men and women wore the picks in their Afros as a way to express their cultural pride. <br />
<br />
The Afro pick exists today as many things to different people: it is representative not only of an era, but a sound and a counter culture. It is a uniting motif, worn as adornment, a political emblem, and signature of collective identity.<br />
<br />
Art has always heralded revolution, bringing unrest and social issues into the mainstream of culture in a less disquieting way and in this, we believe that art and specifically Hank Willis Thomas' work has a role to play in how we—a country at a crossroad—moves forward as a nation. <br />
<br />
In light of ongoing, anti-Black police brutality and a pandemic that disproportionately affects Black individuals, A
    YEE_0022-20210913.jpg
  • storyteller Denise Valentine<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7732-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7652-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7646-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7627-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7541-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7485-20170709.jpg
  • storyteller Denise Valentine<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE2_7907-20170709.jpg
  • storyteller Denise Valentine<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE2_7895-20170709.jpg
  • storyteller Denise Valentine<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE2_7902-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE2_7770-20170709.jpg
  • storyteller Denise Valentine<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE2_7667-20170709.jpg
  • storyteller Denise Valentine<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7748-20170709.jpg
  • storyteller Denise Valentine<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7705-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7644-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7684-20170709.jpg
  • storyteller Denise Valentine<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7739-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7662-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7665-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7567-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7639-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7615-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7619-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7549-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7586-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7601-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7574-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7594-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7581-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7546-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7557-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7518-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7530-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7503-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7520-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7491-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7511-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7497-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7476-20170709.jpg
  • storyteller Denise Valentine<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE2_7917-20170709.jpg
  • Betty Leacraft<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7482-20170709.jpg
  • storyteller Denise Valentine<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE2_7897-20170709.jpg
  • storyteller Denise Valentine<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE1_7454-20170709.jpg
  • storyteller Denise Valentine<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE2_7885-20170709.jpg
  • storyteller Denise Valentine<br />
What did Kensington look like in the past? And how has it changed? Philadelphia artist Betty Leacraft unveils her latest quilt, commissioned by Philadelphia Assembled, which will display the passage of time through archival images of the Kensington neighborhood. This event will also feature storyteller Denise Valentine, who will present "Neighborhood Histories, Unforgetting and Reconnecting: The Master Narratives", a series of stories emerging from her archival research into oral histories and folklore, with connections to Philadelphia neighborhoods and ancestral homelands. <br />
July 8, 2017
    YEE2_7867-20170709.jpg
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