Albert Yee Photo

Show Navigation
  • Portfolio
  • About
  • Contact
  • Archive
    • All Galleries
    • Search
    • Cart
    • Lightbox
    • Client Area

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
{ 585 images found }

Loading ()...

  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_3113-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2540-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2467-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2458-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0938-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0886-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0761-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0736-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0719-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0712-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0657-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0639-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0549-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0528-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0514-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0384-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0374-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0339-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0325-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0321-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0289-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0284-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0273-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0266-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0222-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_3127-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_3055-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2994-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2971-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2905-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2864-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2853-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2798-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2790-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2786-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2735-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2726-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2674-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2663-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2638-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2633-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2624-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2609-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2586-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2574-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2513-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2495-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0971-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0399-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0261-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0216-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0126-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2931-20230121.jpg
  • aPA Board President, Barbara Aronson<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5483-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    AY2_6197-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_6092-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5776-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5974-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5708-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5527-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5504-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5512-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5529-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5500-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    AY2_6192-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    AY2_6188-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    AY2_6129-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_6012-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5970-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    AY2_6148-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_6070-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5980-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_6020-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5722-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5919-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5914-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5948-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5731-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5851-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5750-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5797-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5680-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5716-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5548-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5590-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5605-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5531-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5827-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5532-20160425.jpg
  • aPA Executive Director, Penny Balkin Bach<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5618-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_6103-20160425.jpg
  • aPA Executive Director Penny Balkin Bach, Marc Pally, aPA Board President Barbara Aronson<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5843-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5813-20160425.jpg
  • Guest speaker, Marc Pally<br />
The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5739-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_6108-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    AY2_6169-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    AY2_6172-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_6067-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5847-20160425.jpg
  • The aPA's 144th annual meeting with guest speaker Marc Pally.<br />
Marc Pally is an artist, advocate, and public art curator. Pally consults with the private and public sectors on the planning and implementation of public art projects – from complex and large-scale multi-phased mixed-use projects to the placement of singular art works. He is the founding Artistic Director of Glow, a dusk-to-dawn arts festival held on the beach of Santa Monica. Pally provided artistic direction for CURRENT: LA Water, a public art biennial supported in part by the Bloomberg Public Art Challenge, produced by the City of Los Angeles and schedule for July 2016. He served as the co-curator and facilitator for the award-winning public art program at the David L. Lawrence Convention Center in Pittsburgh, PA. His passion and commitment is to engage the vision of artists in the public sphere by helping create environments in which the unexpected and often the enigmatic reside as key elements in our common spaces.<br />
April 25, 2016
    YEE_5876-20160425.jpg
Next
  • Facebook
  • Twitter
x