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  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2467-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2458-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0971-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0938-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0761-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0736-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0719-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0712-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0639-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0549-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0528-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0514-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0399-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0384-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0374-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0339-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0325-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0321-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0289-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0284-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0273-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0261-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0222-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0126-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_3127-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_3113-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_3055-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2971-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2905-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2864-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2853-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2798-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2790-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2786-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2735-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2726-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2674-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2638-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2633-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2609-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2540-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2513-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2495-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0886-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0657-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0266-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    YEE_0216-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2994-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2931-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2663-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2624-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2586-20230121.jpg
  • Choreographer Kyle Marshall reacts to the work of Henri Matisse, inspired by our current exhibition Matisse in the 1930s, in a dance entitled Ruin.<br />
<br />
This performance explores body percussion, our physical relationship to sound, natural rhythms, and elemental human ritual. Through the magic of kinetic sonic devices, the performers source the ground and the air for sound in real time. Ruin is a reflection on the echoes of history, the dynamic cycles of human civilization, and the syncopation of modern life.<br />
<br />
Choreographer: Kyle Marshall<br />
Kinetic sonic device design and construction: Cal Fish<br />
Performers: Bree Breeden, Jose Lapaz-Rodriguez, Kyle Marshall, Nik Owens, and Cayleen Del Rosario<br />
Costume design, hair, and makeup: Edo Tastic (KMC Visual Director)<br />
Costume construction: Meagan Woods<br />
Lighting: Itohan Edoloyi<br />
Stage manager: Sophia Leewah<br />
Company manager: Madalyn Rupprecht<br />
<br />
for Philadelphia Museum of Art<br />
January 21, 2023
    AY2_2574-20230121.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_5903-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_5965-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_6054-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_6028-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_5949-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_5922-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_5930-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_5856-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_5894-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    AY2_9943-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_5824-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_5878-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_5803-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    AY2_9985-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_5736-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_5701-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    AY2_9927-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    AY2_9849-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    AY2_9830-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_6064-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_6078-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_6068-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    AY2_0005-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_6062-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    AY2_9956-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_5896-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_5883-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_5740-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_6201-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_5729-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_5717-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_5684-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_6170-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    AY2_9839-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_6133-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    AY2_9879-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_5957-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_5937-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    AY2_9907-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    AY2_9932-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_6175-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_6219-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    YEE_5954-20160820.jpg
  • The Bearded Ladies perform "Bitter Homes & Gardens" a family friendly, hour-long singing and dancing spectacle which asks "If plants had voices, what would they sing?" The show, features flowers, ferns, weeds and vegetables singing and dancing their way through the big questions that face our plant brethren. Led by Jebediah Eatin-Good, a friendly ear of corn, this bio-diverse cabaret features a range of music from Bill Withers, Bob Dylan, and Tom Waits to RaeLynn and Faith Hill, as well as original songs by resident composer Heath Allen.<br />
for Fairmount Park Conservancy<br />
August 18, 2016
    AY2_9951-20160820.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2833-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2677-20151113.jpg
  • Neighborhood Time Exchange artist-in-residence  Pato Hubert's "In The Cut"<br />
NTE is a project of the Mural Arts Program<br />
November 13, 2015
    YEE_2593-20151113.jpg
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